Wednesday, November 01, 2006

HOLIDAY OPEN STUDIO

*SCOTT CAHALY'S HOLIDAY OPEN STUDIO*
Saturday November 18th 12 - 6 PM
2 Bradley st. Somerville MA 02145

-I am opening up my studio again on this November
Saturday for folks to see my recent and older works.
Come and see the "Creation/Protection Sculptures"
http://cahaly.net/gallery/creation carved in the last
Six months. Also see the "Earth Paintings from the
beginning of the
year."http://cahaly.net/gallery2/view_album.php?set_albumName=Earth-Paintings
Please find time in your busy afternoon schedule to
come out and support an local emerging artist and
maybe purchase some work. Please bring a friend and
feel free to forward this e-mail along.

Please click on video and see what awaits you!
http://video.google.com/videoplay?docid=995463369671320960&hl=en

cheers, *Scott

Tuesday, October 31, 2006

Earth's Magnetic Field Sculpture


Earth's Magnetic field has emerged from that "new stone" I purchased and blogged about a little over a month ago. The carving process was very satisfying as I hadn't worked on a bigger piece in a long time. It took some time for the form to emerge out of the stone. Countless sessions, alot of stepping back from the work. Some dreams I had helped. If you click on my website cahaly.net/gallery/creation you can see all the angles of the piece. It came out like a sculpted version of my earth paintings cahaly.net/gallery2/view_album.php
The work was completed and just about finished off when I saw this great Nova episode last week about how scientists are speculating that the earths magnetic field, which keeps our atomosphere free of solar detrimental glare might be weakening. All my work recently has to do with the rejuvination and protection of the planet in physical and non-physical terms so I thought this concept might be a good title and description for the sculpture. There is literally a little carved earth on the side being held in a hand, which connects to a form spiraling upward into almost an eternity symbol connected to an angelic face in profile with hair, and coming out of the back of the hair is another hand with one finger extended out reaching out for that divine spark again which keeps appearing in all my work. In this case a divine spark needed to help the earth's magnetic field. peace, Scott.

Saturday, September 23, 2006

New Stone*


I finally did it. After having a huge piece of soapstone waiting for me in the artstore shelf for eight or nine months I finally had the money and the intent to go in and purchase it this week. I have been carving alot of "small" sculptures this summer and needed to sink my teeth into something bigger. When I was 24 that something bigger was a five thousand pound block of marble(New Nazca Stone) and though here in Slummerville I am not set up to carve such a wee-big piece of Marble, I certainly can carve pieces up to a hundred pounds. Something happens to and inside me when I carve large. It is like clear providence into another dimension. I almost loose myself inside the confines of this medium that takes millions of years to be created in the earth's crust. So I went down stairs to the newer art store in "Mental" Central Square and grabbed the heavy piece from the shelf. After finding out they wanted two hundred for it and not the one-fifty I thought it was, I asked for a deal as one does with the purchase of a huge stone and they were very cool, I signed my credit card receipt and the total was one-hundred and seventy. I proceeded to walk up the stairs and out to the street right behind the t-stop and down past Pearl st. to my car with the big stone in my hands like a gravity challenged new-born. Several people looked at me like, "what the hell is that." I proceeded to put it down on a bench next to a person completely out of it, opened my trunk of my car parked on Mass have right before Hubba-hubba and plopped it in my trunk. Then fed the meter some more and ran into the Harvest for some salmon rolls.
Having the piece set up to work is very exciting. Current typing included, I find my self procastinating a little bit before I start. I think I just want to enjoy the piece a bit before I tear into it with my chisels. One note, this piece is the most talc piece of stone I have ever seen or worked on. Soapstone and Granite are silicates = Very harmful dust. I have a very good respirator I will be using. I am also happy/sad to say the work shouldn't take too long, do to how soft it is. In a purest way this is kind wimpy, carving a soft-stone, but faced with how much time it takes to carve something like marble, finish it and finally show it then maybe sell it, it is nice to work in softer stones as it doesn't become a life sentence of stone carving!
Thanks for reading and wish me luck........................ Peace and enjoy this great fall energy that is starting to envelop... *Scott.

Saturday, September 02, 2006

Fall Artshows and other stuff.

Hope you all had a great August and were able to get
to the ocean or the mountains! Just writing to keep
people current on what I'm up to "artistically" this
fall. This list covers group shows I am in, work I
will be donating, teaching and website updates. Please
scroll down and check it out.
cheers, Scott*


1. FAITH IN ART*
The ART GALLERY @ BUNKER HILL COMMUNITY COLLEGE
An interfaith, intercultural exhibit exploring
spiritual and faith based dimensions in art
September 14 — October 20
Artists’ Reception: Thursday, September 14, 6:00 p.m.–
8:00 p.m.
Gallery Talk : Thursday, September 21, 1 - 2:30 p.m.
http://www.bhcc.mass.edu/inside/660

2. Sculpture at UMass/Boston*
The New England Sculptors Association
http://www.nesculptors.com/
in collaboration with
The Campus Center of UMass/Boston
Invite you to view an
Exhibit of Contemporary Sculpture

In this extraordinary space at
100 Morrissey Boulevard in Boston

September 11th thru December 15th, 2006

Please join us

Friday, September 15th, 2006
from 6:00 p.m. to 8:00 p.m.
for the
Opening Reception
in the
Level 1 - University Terrace

Directions: see website
http://www.umb.edu/campuscenter/

3. ART HOUSE SILENT AUCTION*
(Brattle Theatre/Cambridge)
Local and national artists have once again put their
art where their hearts are and donated some stunning
works for ART HOUSE, the Brattle's third annual silent
art auction fundraiser. While the seasoned art
collector will certainly find great deals at ART
HOUSE, this event is for the novice art-lover as well,
with starting bids between $35 and $250. Proceeds
benefit the Brattle Film Foundation.

Thursday, September, 28th, 2006, 6:30 - 9:00 PM
Bidding closes at 8:15

Paintings, sculptures, woodcuts, lithographs,
photographs, and more await their new homes. Whether
your walls still have posters dating from 1987, or
you're bored with your Picasso, there is something for
everyone at ART HOUSE.

Many of the artists will be present for the event,
ready to answer questions about their work. Admission
is $15 and we recommend advance tickets (coming soon)
since we are limited to 125 guests. There will be a
cash bar and light refreshments. Bidding closes at
8:15, when we will accept payments and hand the works
to their new owners.
http://www.brattlefilm.org/brattlefilm/events/art_house2006/index.html

4. ART DONATIONS*
Thanks to the Art Connection
http://www.theartconnection.org/ I will be donating
two more paintings to Boston non-profits
a. Roxbury Multi-Service Center (RMSC)
b. East Boston Neighborhood Health Center (EBNHC)

5. DECORDOVA ART CLASSES *
-Develop 3D thinking and design skills as you discover
the inherent qualities of stone. As you hone your
carving technique, using alabaster, explore positive
and negative space, tools, and techniques. Students
will have the opportunity to create abstracted forms
or produce more realistic work.
https://participate.decordova.org/register.asp?Category=Sculpture

(two classes)
1. Instructor Scott Cahaly
Day Monday
Time 9:30 AM- 12:30 PM
Date September 18 - December 4

2. Instructor Scott Cahaly
Day Wednesday
Time 7:00 PM- 10:00 PM
Date September 20 - December 6

*If people have conflicts with this schedule I do
teach privately, please contact me.


6. WEBSITE/NET
-I have an updated sculpture gallery with some work
from this summer. The "Creation Sculptures" are
currently fluctuating between rounded and more
geometric forms. http://www.cahaly.net/gallery/

-I have also added a video tour of my studio for those
who have never been here but are more then welcomed to
schedule studio visits with me,(have your volume on!)
http://video.google.com/videoplay?docid=995463369671320960&hl=en

-Please link up with me through Myspace, I am at
http://www.myspace.com/lightvessel

Wednesday, August 02, 2006

Real Astrology!


I just had a nice forty-five minute meditation, put a high velocity fan into my studio and am listening to proton radio www.protonradio.com/
I am feeling very clear and wanted to extend to anyone interested what I feel is the best astrology I have ever come across and have been actively reading for ten years. Please see freewillastrology.com/ and hit horoscopes. Alot of you probably know about Rob, some may not, his whole website is cool. He combines full-on astrological omens with language I can only describe as campy. I can't believe how what he writes for Aquarians is always timely for me and the circumstances I'm in. Whats more, when I listen to his advice it makes my whole reality better. I'm not one to just listen to what anyone says without a discerning mind, that being said check it out and let me know what you think if it "gets you."
*PEACE* -Scott.

Tuesday, June 20, 2006

My Studio Pictures








I decided to post pictures of my studio. People have been telling me for years that I should have studio pics, so here they are. This studio, like a painting or a sculpture is a continual work in progress. I moved in here SIX whole years ago, the world was alot different, I was more immature and Somerville seemed to be the only and most affordable place to go if you wanted to be an artist. I have enjoyed this space in that time. Its not perfect but it inspires me. Paintings, Sculpture, plants, fish, salt lamps, candles, books, computer, meditation shrine. I keep it fully equipped as to be conductive to my creativity. I have gotten some really nice compliments about it from others over the years. I have had a bunch of gettogethers here but for the most part I am a bit selfish with it and try to keep it sacred. The last thing I need is someone from Revere ashing in one of my large marble statues at 2 a.m. then saying in a serious Boston accent, "SARRY DUDE." I'm a huge fan of ambience and night. I get serious sunsets in here which touch me, but my favorite time is at night with soma fm on and a few of my night time special effects, which there are many in here. On one level I feel I have charged the space up with a combination of meditation chants and mental time spent in creativity. So placement seems feng shui(?) but within this set up the spirit of the works vibrate off another injecting the visitor even more with a taste of what I believe is the etheric plane.
My rent isn't too bad, which allows me to spend more time in and create and market. The neighborhood feels like Brazil. I think the Brazilian population in this part of Slummerville is higher then any other. I like it. Its like being in the U.S. and not, all at the same time. Thanks for reading, gotta go....................

Tuesday, June 13, 2006

My Sculpture @ The Museum of Fine Arts.









Just writing to let folks
know I will have a small sculpture, Vibratory Echo
cahaly.net/gallery/Di%B...VibratoryEcho
at the Museum of Fine Arts Summer Party this weekend.
The sculpture was selected and will be part of the
silent auction aspect of the evening. I will be
there in very formal attire,(yikes.) For more
information on the event please see link
www.mfa.org/calendar/event.asp
Tickets are still available if anyone is interested in
a regal evening at the Museum of Fine Arts.

peace, Scott.

Thursday, April 27, 2006

Open Studios, May6&7@12:00pm



*Hello and happy spring.

1.I will be participating again this year in the
annual Somerville Open Studios. Please drop in and see
my new work. "Earth Paintings" To preview click on
link, http://www.cahaly.net/gallery/
As in previous years I am offering all collectors, old
and new a ten percent discount during the event.
*Somerville Open Studios
Saturday-Sunday
May 6 + May 7, 2006
Noon to 6:00 p.m.
2 Bradley st(Mad Oyster Building)
Somerville, Massachusetts

Monday, March 20, 2006

Inner-Spring....


Spring just bloomed for me a minute ago. An outward spring and inner spring. A shout out for re-juvenation, on the cold streets and in the cold heart. Scorched chances in the past, the promise to never let spring re-enter. Living under a cloud of seperateness and forgeting there is anything that can match it. There is, that nagging pinch of the heart, one of its breaths, enough to call to life a million flowers in this and other dimensions. Music of the past, playing in my ear, like a woken grave. The emotion it provides, not entirely untangled from the drab experience that used to accompany it. Still listening with faith of the next minute, the chance of a phoenix love song, the hope of light bouncing off a tear on my face hopeful of being hand and hand with that special Spring. The time of hearts, melting karma and at least an alarm clock on the rest of the season. Likeminded souls, nestled in celebration in a cramped apartment in Cambridge reciting Julius Caesar, "beware the Ides of March" it is always darkest before the light. God didn't allow us entrance to a dimension with out a sunroof. This Sunroof sometimes sticks, but is inevitably opened. Hoping this rambling finds and spawns early lightful openings in others. Peace be to the moment and the feeling in my heart.......... *Scott.

Friday, February 17, 2006

Earth Paintings & Di*men*sioned Sculptures


Six hours left until this Aquarian has his birthday. The thought of being born durning the mid-seventies with all the bellbottoms and easy listening music.... I think I had a good year. Have been very creative/semi-abundant. Was able to pay most of my bills most of the time and got a good car. The usual romantic trail of solid bread crumbs continued but like usual I ended my year single and being ultra-self absorbed in my work. Not against the idea of a good relationship in the longrun but want things to go slow and not move too quickly so it doesn't end too quickly.
In the last few weeks I took the needed steps to get my website updated, which consisted of a photo shoot, new user friendly website gallery, and wrestling with photoshop. Finally its done for anyone interested to see. My work has definately got more spiritual/new age but thats fine because I am like that. Describing each piece of work in the captions section was kind of like speaking my own language. Cosmos, astral, light, angels, protection all hallmark terms I used again and again. This work is coming right from my soul, but I feel it may be a little ahead of the "art world" that really reveres innocous dull work. Whatever anyone thinks about this work, good or bad I know that I feel it and that it came from a genuine place inside me which I am always cultivating and gaurding!
The theme of Earth paintings started hitting my canvases post-New Orleans. My first couple paintings back this year were like missed shots at a dartboard. Strong work but not worthy of the website or keeping with this new series. A globe started showing up all of the sudden and then just sat in one painting on the easel for weeks. I think I painted over it and didn't re-visit it for another month or so. Instead of painting small canvases developing the theme more quickly, I started painting big immeadiately. The usual Pearl/artistan supply runs for gesso and paints were routine. The idea of hands being a conductor for spiritual light and help for the earth just showed up. Inspired by Michelangelo's creation fresco of God(as the old man) pointing to Adams limp finger. Painting the globe over and over again was easily the most recognizable and realistic work I have ever done in my life. It felt kind of wierd at first but then customary as a springing board to jump into the rest of the space on the canvas. I just came into about ten huge stretchers randomly yesterday,(happy early birthday) which I intend to keep working on.
This is the time in the year when I usually go back to stone carving, which has really been calling out to me lately. I am conflicted as I miss carving but I feel I need to pursue this series and push it as FAR as possible.
The Di*men*sioned sculptures don't have quite the storybook quality to them as the Earth Paintings do. Each piece was carved in response to the raw block of stone I purchased. These sculpture display a high degree of negative space in the middle of each statue. An idea I am quite fond of for stone sculpture as it is normal to think of the stone being in the middle rather then air. I think its fascinating to have an empty middle and then let the work be re-ducted around this space. To be able to carve stone into a form that makes it look light or even floating, is positively fascinating to me. I wish I had a clone so one of us could be painting and one sculpting all the time. Here is the newly updated website link, www.cahaly.net/gallery/ please have a look and let me know what you think.
*namaste Scott

Saturday, January 28, 2006

Feeling the need to Blog.




Haven't written here in awhile. Having a blog like this makes me wish I paid more attention to my Freshmen High school Lit teacher Mr. Murray. He was a large bear-esque sweat dripping Irishman. He always wore suits but it didn't matter because they were always reduced to his sweat. I barely did any homework in that class but still passed. Wish I worked harder as my writing would be better now, anyway, here it goes.
Saturday night, I have just finished what I think is my best painting to date. A large six ft/3ft oil of etheric spiritual beings protecting the earth with light from all parts of the universe. It reminds me of a fusion of Guernica by Mr. Picasso and parts of the Sisine Chapel, by Mr. Bunaratti(Michelangelo) thrown into deep space, fused, on acid and recombined. That is my best description of this painting which has opened up yet another door in my heart and vision. My website will be updated soon with it so I won't go into any more visual description as it is kind of superfilous without the image at hand.
I have been cranking since Christmas. Non-stop painting, meditation, Mantra Ohm-Gam-Gana-Patea-Namaha(Ganesh release of blockage mantra) excercise, have not been taking any shit from the man, just teaching part-time, even sold a painting, (Ms. Finland,Blue series.) Have been feeling completely in control of my energy. No time to look back at the last five years, only time to be present and look ahead. Sometimes I wonder if I could have gotten more accomplished artistically in these years, thought I have been working at it. *LIfe seems to be like the invisible bridge of faith, there is no bridge until you take that step and it magically appears beneath your feet. Like Indiana Jones and the Holy Grail. Giving is as important if not more then recieving. The consciousness of lack is based in the ignorant insanity of the mass consciousness. People can do whatever they want if only they program themselves in this way. I am sick worrying about the "world" and will there be enough for me and will I make it. Fuck it, I am and will. Will be happy to go to the grave with a paintbrush in my hand. I don't really give a shit, Love making art, My gift, bestowed as a curse in my darkest hour ten years ago. Love it, "you need to lose to know how to win" -Aerosmith.
Heard from astrologer, this week is supposed to be the most powerful astrological week in a hundred years. Sounds good to me. Last time she said this, there was a Sunami in the Indian Ocean. She is usually right on about world events, even called the mixing of the presidential ballets back in 00. I am feeling so strong and positive about things right now. Like I can see a hundred miles away. Maybe thats not a good thing. I swear I am about to do something crazy like buy another five-thousand pound block of marble, ten thousand even, maybe twenty. I want to explode, up, down, side way , before , after inbetween, I am talking ECSTATIC CATHARSIS. Anyway, am happy to be in(yes on a Sat. night) typing away. I have come to realize, only after YEARS of partying that there is nothing out in the night that I haven't experienced before. There is always the draw of going out, but when I am peaking creatively in the studio, whats the point. This is where I want to be, its the only place I have ever wanted to be. I know exactly what I was born to do and I hope the whole world sees it in time.
peace and light *Scott

Monday, January 16, 2006

Quote from Indigo files at http://www.sunfell.com/indigo.htm


The unveiling of your true Octarine/Crystal core can be harrowing at times, but it is ultimately rewarding, in ways that are unimaginable to the uninitiated. It’s like you’ve suddenly grown a whole meter, or have been given color vision in a monochrome world, or can hear musical chords and melodies after being deaf. Your life will radically change, but once that change has settled in, you will wonder how you managed to get along before it happened. You will quietly use your newly unveiled Gifts to help the rest of humanity find its way to wakefulness, seeking no reward or recognition- but content to be part of the great wave of Awakening Light that is sweeping the world.

Saturday, December 31, 2005

New years and Free Will Astrology!

So, New Years, 06 six-sixteen P.M. eastern standard time. Ten parties to choose from. This is much more severe then the Pepsi challenge, the only loser or winner would be Coke. No possible way to cover so much urban ground in one night unless I got a flying zip-carpet. To make matters worse it is supposed to snow tonight and make the roads tricky, add drunk drivers and cops to the equation and chances of going from one place to the next fail even more. I have been invited to a couple of grand parties that will be pumping(snobby guestlists!) but whats the point to being out on New Years and not being with at least one good friend.
Lately I have been in an artmaking craze, no surprise there, see website http://www.cahaly.net When I am making alot of good artwork and very into my process, I sort of temporarily lose the party urge. When I am in party mode, I don't always have the good artmaking urge. It would be nice if both aspects made better bed partners. If I just made art all the time I would completely non-social and vice-versa. Anyway this is always an exciting night, kind of the World Series of Partying, I would say I am in practice but have been slumping lately. So I wish all of you reading this a happy and safe new year, whatever part of the world your in.
I am attaching the BEST astrology on the PLANET! Peace be with U, Scott.....

FREE WILL ASTROLOGY
Week beginning December 29
Copyright 2005 by Rob Brezsny
http://www.freewillastrology.com
Grammar key: Asterisks equal *italics*



ARIES (March 21-April 19): Thai coffee salesman Prayoon Thongiorn owns
a pet crocodile. So thoroughly has he tamed the creature that he lets
it
sleeps in his bed with him, even resting his head on it as if it were a
pillow.
I predict that you will make a comparable conquest in 2006, Aries. Some
dragonish influence that would be risky for most people to harbor will
become your ally. Congratulations in advance on both your courage and
the ingenuity you will summon to wrestle that beast into submission.

TAURUS (April 20-May 20): "We live in a world with too much music,"
writes Joe Nickell at Missoulian.com. He's bothered by the fact that
everywhere he goes, there are tunes pouring from cell phones and mp3
players and TVs and radios and live bands. As far as you're concerned,
though, Nickell is utterly off-base. In 2006, you should take advantage
of
the profusion; you should immerse yourself in music more than you ever
have before. To do so will be instrumental in helping you accomplish
your
top assignment in the coming months, which is to feel deep, rich,
interesting emotions as often as possible.

GEMINI (May 21-June 20): Many Geminis fit the description of a class of
people that *Wired* magazine calls "yeppies," or "young experimenting
perfection seekers." Overwhelmed by a profusion of conflicting
opportunities, they are restless and insatiable. They treat life "as an
exercise in comparison shopping, refusing to commit for fear of missing
a
better offer." While this approach is pretty normal for your tribe, I
suspect it won't work as well in 2006 as it has for you in the past.
That's
why I urge you to try out some very different attitudes: a tolerance
for
imperfection, a respect for limits, an appreciation for the value of
peace
of mind, and a willingness to concentrate on just two or three
possibilities
instead of 17.

CANCER (June 21-July 22): The coming months will not be a time for less
talk and more action, my fellow Cancerian, but for *more* talk and more
action. Here are other prescriptions to help you get the most out of
2006: Go on wilder adventures and entertain fewer superstitions.
Indulge
in fewer mood swings and invest in an experience that will serve as the
best anchor you've ever had. Explore your secrets more aggressively,
but
keep fewer secrets. Work harder to know the difference between true
intuitions and fearful delusions. Feel less remorse and more
forgiveness.
Cultivate wetter love and dryer humor. Commit yourself to faster
promise-keeping and slower fault-finding.

LEO (July 23-Aug. 22): I know people who love the feeling of family but
who don't have much contact with their parents and siblings and haven't
started their own broods. Instead, they quench their longing for an
intimate network by hooking up with a spiritual family--a tribe of
like-
minded people who share their values. The coming months will be prime
time for you to either find a group like that or, if you already have
one, to
deepen and expand your web of connections. You don't have to sacrifice
your relations with your biological kin to do so. The more family you
have,
the better your mental health will be.

VIRGO (Aug. 23-Sept. 22): In her book *Women Who Run With the
Wolves,* Clarissa Pinkola Estes talks a lot about fairy tales. As a
psychotherapist, she recognizes that the conditions they depict are
similar to how the deepest part of the psyche works. A central theme of
fairy tale justice, she says, is that it's always a good idea to be
kind to
people who don't seem important or beautiful or cool. Characters who
honor that principle are invariably rewarded, while those who spurn it
are
punished. This will be a key idea for you in 2006, Virgo. You can't
afford
to dismiss those you consider your inferiors, nor should you demonize
the
less attractive aspects of your own nature. Your success will hinge on
the
care you take with underdogs.
LIBRA (Sept. 23-Oct. 22): I have selected a quote by Irish playwright
Brendan Behan to serve as your motto in 2006. I suggest that you write
it out on a piece of red paper and place it in a prominent place like
your
bathroom mirror or computer monitor. "If you have a talent, use it in
every which way possible," said Behan. "Don't hoard it. Don't dole it
out
like a miser. Spend it lavishly like a millionaire intent on going
broke."

SCORPIO (Oct. 23-Nov. 21): Widely regarded as a top military historian,
Martin van Creveld has written books that have been influential in
shaping
modern theories of warfare. The U.S. Army makes his work required
reading for its officers. That's why it was so remarkable when he
described America's invasion of Iraq in 2003 as "the most foolish war
since Emperor Augustus in 9 BC sent his legions into Germany and lost
them." I urge you to regularly imitate Creveld's example in 2006,
Scorpio:
Speak out in dramatic fashion against the follies that your expertise
gives
you the right to critique. Drawing on your special experience and
knowledge, make rigorous evaluations of the authorities and
institutions
whose decisions affect your life.

SAGITTARIUS (Nov. 22-Dec. 21): "Dear Rob: I'm a very analytical person,
with a doctorate in nuclear physics and a high-tech job. All my
training
and business savvy tell me that your astrology column is superstitious
bullshit, yet every time I've faced a crisis in the last ten years,
your
horoscopes have provided accurate wisdom and counsel when things
seemed darkest. On the one hand this makes no sense, and on the other
hand I don't care that it doesn't make any sense. Somehow I'm able to
draw sustenance from something whose power I don't understand or even
believe in. In any case, thank you! -Humble Sagittarian Genius." Dear
Sagittarius: In 2006, you Sagittarians will have the chance to benefit
from
many phenomena that fit the description you applied to my column. Open
yourself wide to mystery.

CAPRICORN (Dec. 22-Jan. 19): Germany and the Soviet Union failed to
sign a peace treaty after the global hostilities of the mid-20th
century.
Technically, then, World War II never officially ended. This lack of
closure
doesn't seem to have had any lingering repercussions, though, so I
won't
worry about it. On the other hand, there are unresolved situations from
your past that are still causing you problems. In my astrological
opinion,
2006 is an ideal time to finally wrap up all the unfinished business
that
has been subtly draining you. It's a perfect opportunity for the
ultimate
karmic cleansing, preferably carried out with grace, gratitude, and
generosity.

AQUARIUS (Jan. 20-Feb. 18): In 1503, wealthy silk merchant Francesco
del Giocondo commissioned Leonardo da Vinci to paint a portrait of his
wife Lisa. But when Leonardo finished the work, now known as the "Mona
Lisa," del Giocondo was so dissatisfied with it that he refused to pay
for
it. It seems he didn't recognize its value. I offer this as a teaching
story
for you, Aquarius. Please make sure that when you get what you ask for
in 2006, you don't make the same mistake del Giocondo did. Eagerly
welcome your dream-come-true, even if it's different from what you
expected.

PISCES (Feb. 19-March 20): In his book *The Disappearance of the
Universe,* Gary Renard quotes the counsel of his teacher: "A jet
airliner is
always going off course, but through constant correction it arrives at
its
destination. So will you arrive at yours." Remember that advice
throughout 2006, Pisces. My analysis of the astrological omens suggests
that you will be frequently straying from the path of your highest
destiny,
and yet that's exactly what needs to happen in order for you to reach
your highest destiny. Forced to keep making regular adjustments, you
will
tone and strengthen your willpower, which is essential to you achieving
the goals that really matter.


*********************************************

Friday, December 09, 2005

Apocalypse Un-Plowed!

When I was sixteen, I was enrolled in Drivers-ed as were most of my peers. We watched films like red asphalt and highways of agony and awaited are learners permit then license. Well, nothing from this early ninties course could prepare me for what I just experienced in the last three - Four hours, (MISERY.) Thus begins the saga.
Around the holidays I work for a florist for extra $. You might know it. The big green florist in Harvard square with all the missletoe and pine in front, right in Brattle square. I knew all week they needed me today, Friday to work. All week long it was sunny and winterly pleasant. Today however I knew from the weather there was going to be a snowstorm. I did not want to go, but as I always do I gave it the old college effort. Afterall I have been working there over ten years around the holidays, its almost as synonomous with the Christmas season for me as egg-nog. I got up at Six-thirty a.m. Just naturally arising fifteen minutes before my alarm went off. Proud of myself on some somnombulist level that I beat the alarm. Made instant coffee, went to the bathroom, and winterized/weatherized myself with jacket,gloves, hat boots, GEAR! Drove to Cambridge parked and took the subway over to HAVAAD!!!!
Well the day was pretty typical and just plain pretty with the snow falling. Pretty normal day, Harvard square, intellectual looking bedhead people. Homeless sleeping in the Coup overhead. Beautiful Sola girls catching my attention. Fast-forward several hours, its two-thirty, they let me leave early as there is a flash-blizzard outside and business is dead as disco(when disco was dead!) I hop on subway, go back up to central, and do my normal art store shopping. Some things I purchase in Pearl, some things I purchase in the Artisan supply. Pearl has better deals but is ridiculously lacking confidence and non pierced parts in its employees. Artisan supply just opened across the st. and in the basement. It is like the a student in the front of the class that everyone doesnt' want to admit to like, but still cheats off of. A quick trip to the Harvest for my non-hormonal tested organic yorgurt and I am off to my car on a side st. On the way I stop to see my eighty-year old friend Francis. I ring her but she is not answering. I felt like hanging out with her in her apartment and waiting out this blizzard that is roaring. So bad in fact that white out conditions have been attained. So I trudge further down Magazine st. to my car. Clean it off for ten minutes hop in, and this ladies, gentlemen and aliens is where the MISERY BEGINS*
Usually it takes me ten minutes to get back to my studio. It took me over two hours and a half. Bumper to bumper, white out conditions. Instead of going deathly slow on the main road back,(prospect) I side st. it but am confronted with apocalyptical, un-plowed driving conditions. I go down, one way, three cars are spun out. I go back to the main rd, there is Traffic. I go back down side st. traffic is moving, slowly. Halted at intersection, I take shortcut into Market Basket Parkinglot,(no comment on Brazilian driving habits at this supermarket parkinglot.) Go up a hill, as Somerville could be called Hillville. Little do I know that because about eight inches of snow fell in like an hour and a half nothing has been ploud. People are peeling out left and right. Stuck, fucked, and clueless. I after realizing I wasn't getting anywhere had the good sense to shovel out a space on the side of the st. to get out of the way. Others thought they could get up the hill, and except for the ones with four, wheel drive were sourly mistaken. I eventually turned around from this one side st. hill and told about eleven cars to turn around.( Was looking for extra Karma points!) So,, after waiting a half hour to go around Union Square, which usually only takes three minutes, I went up another hill, more frequented but steep. I should have stuck to the main rds. but couldn't had to be greedy and make good time. Typical Boston driver. This hill was just as bad as the first with even less room to turn around. At this point I thought I was an expert at this situation. Pulled over and decided to walk a half mile up the hill to my studio and leave my car till Saturday when conditions are better. Well, looking for more good Karma, I told others to turn, around again. When I came upon a girl my age, balling in tears in her car saying she'd been in there for three hours and was trying to get to Everett. I tryed to ameliorate her situation by telling her it would be alright and that she should pull over, and walk down to Union Square and chill out for a bit. She listened and did this. From this point I trudged up Walnut st. on foot to my studio while seeing all the denizens shoveling and marveling at nature in the HOOD! All the time, seeing more cars unable to get up the hill. So I get in here, call the cops and they tell me there is a snow emergency and unless your parked on the odd side of the st. you will be towed. SO<> I ran back to my car I had just left, was huffing and puffing all the way up the hill in my big boots. Got in, turned around and proceeded to go one way down the wrong way telling all the other cars to back up. They did, I got back on to the main st. where the traffic was better and got back here. On arrival I immeadiately went to the restaraunt next door, had three drinks(which I needed) and dinner. An old acquaintence was at the bar and picked up the tab which was great.,
STORY OVER!

Friday, December 02, 2005

Erotic Art, (HERALD.)


Erotic Art
By Sher Core

Intimacy is one of life’s most artful forms. It’s a muse for remarkable paintings, drawing and sculpture. It’s been written about, sung about, and woven into all kinds of art. The sexual energy inside artwork is bestowed upon both the artist and the erotic art appreciator. It is expressed in the way we look at life and the manner in which we approach intimacy. What we are drawn to tells us much about ourselves. We all have our favorite forms of art in which we pick preferred pieces. Learning your own artistic preferences is important. It is just as vital as knowing what your mate likes. Branching out further and seeking art out together can give you more than a few ideas on how to add creative flare to a relationship.

Passionate Paintings: Throughout history, lustful paintings have captured the eye of the less modest. The Italian Renaissance painter Sandro Botticelli understood subtle erotica. He dealt quite a bit with classic myth, creating images of nude angels, fairies and heroes. Many artists of the Pre-Raphaelite era focused on female nudes. Take Adolph-William Bouguereau’s Evening Mood, for example. Here we have a lovely, fair-skinned maiden basking buck-naked under the moonlight. Dante Gabriel Rossetti’s Seaspell shows not just nudity, but it enchants us with its magic and mystery. The French Impressionist era certainly had its fair share of sensuality. Degas’s After the Bath, Woman Drying Herself illustrates the alluring lines of a woman’s body. Jean Renoir was prone to paint voluptuous ladies with ample breast and hips.

Decadent Drawings: Drawing is a good place to start for an aspiring erotic artist. It gives us a sense of the lines of the human body with its unique curves and indents. Many famous painters started by sketching. Pablo Picasso was one of the greats. He was shameless. His eroticism spilled like water. He bravely exposed not just a woman’s shape but up-close views of the vulva. From his earliest drawings to his late works, Picasso’s drawings depict sex in alluring and sometimes painful ways. Sex plays a part in the drawings of many renaissance artists in particular. That influence has branched out to modern works. Contemporary artists have taken drawing to new levels with the advent of erotic animation. From Japanese hentai to artists like Lorenzo Sperlonga who draws nearly lifelike large-breasted ladies.

Seductive Sculpture: In ancient Greece, sculptures of male nudes were quite popular. There is a series of Bronze Warriors depicting the strength and beauty of the male body. There are also pieces of females, including ThreeGoddesses, which shows blatant female sexuality, and Girl with Doves, which depicts a more innocent type of love. Romans were also fond of sculpture. The Doryphorus gave form to its creator’s (Polyclitus) ideal male, while the Venus De Milo is a testimony to the female form. One of the most famous erotic sculptures through history is the notorious David by Michelangelo.

Mood Music: So many songs have a direct sexual connection. Some moan longingly, such as the works of P.J. Harvey, Kate Bush, Sade, Chris Isaak and more. Much of today’s music grabs us with bold, bawdy lyrics and butt-shaking beats. Music improves our mood and adjusts our heart rates. There is no question that a magnetic melody can bring people together for dancing, socializing and intimacy.

Luscious Literature: It stands to reason that erotic literature is favored by women. Men like the visual; women want a story. One renowned author of erotic is Anais Nin. Despite the current popularity of her work, she was relatively unknown for most of her life. She was born in 1903. In the 1960s, she came to be somewhat of a cult figure due as much to her unconventional life as her poetic musings. See the Books section for more unrestrained reads.

The Life of the Artist: Scott Cahaly is a Boston area painter and sculptor. He creates remarkable works which make us think, feel, and yearn. Scott himself is a passionate person. He is a student of the female form, the curves, the positive spaces and shadows all inspire Cahaly's re-occuring depiction of women. His works sprout from that passion. He merges his inner spirituality with the beauty he sees in the female form resulting in a truly singular style. Scott’s Blue series is particularly erotic. In these paintings, couples are twisted together in intimate acts—the backdrops are mystical, yet strangely natural.